The Artangel Longplayer Conversation 2012

John Lanchester was born in Hamburg in 1962. He has worked as a football reporter, obituary writer, book editor, restaurant critic, and deputy editor of the London Review of Books, where his pieces still appear. He is a regular contributor to the New Yorker. He has written four novels, The Debt to Pleasure, Mr Phillips, Fragrant Harbour and Capital and two works of non-fiction: Family Romance, a memoir; and Whoops!: Why everyone owes everyone and no one can pay, a book about the global financial crisis. His books have won the Hawthornden Prize, the Whitbread First Novel Prize, E. M. Forster Award, and the Premi Llibreter, been longlisted for the Booker Prize, and been translated into 25 languages.

Caitlin Moran was born in 1975 and is a writer, critic, broadcaster and columnist. At 15 she won the Observer’s Young Reporter of the Year and by16 she’d joined Melody Maker, the music weekly. At 18, she presented the pop show Naked City on Channel 4. She went on to become a columnist at The Times, both as a TV critic and the Friday column ‘Celebrity Watch’, winning the British Press Awards Columnist of the Year 2010, and Critic and Interviewer of the Year 2011. She has written three books; The Chronicles of Narmo, the award-winning How To Be a Woman and most recently, Moranthology.

Video of the conversation can be watched here.

More about Longplayer

Overview of Longplayer

Longplayer is a one thousand year long musical composition. It began playing at midnight on the 31st of December 1999, and will continue to play without repetition until the last moment of 2999, at which point it will complete its cycle and begin again. Conceived and composed by Jem Finer, it was originally produced as an Artangel commission, and is now in the care of the Longplayer Trust.

Conceptual Background

While Longplayer is most often described as a 1000 year long musical composition, the preoccupations that led to its conception were not of a musical nature; they concerned time, as it is experienced and as it is understood from the perspectives of philosophy, physics and cosmology. At extremes of scale, time has always appeared to me as baffling, both in the transience of its passing on quantum mechanical levels and in the unfathomable expanses of geological and cosmological time, in which a human lifetime is reduced to no more than a blip.

How does Longplayer work?

The composition of Longplayer results from the application of simple and precise rules to six short pieces of music. Six sections from these pieces – one from each – are playing simultaneously at all times. Longplayer chooses and combines these sections in such a way that no combination is repeated until exactly one thousand years has passed.

About Longplayer's Survival

From its initial conception, a central part of the Longplayer project has been about considering strategies for the future. How does one keep a piece of music playing across generations? How does one prepare for its technological adaptability, knowing how few technologies have remained viable over the last millenium? How does one legislate for its upkeep? And how can one communicate that responsibility to those who might be looking after it some 950 years after its original custodians have perished?